-
0:00/3:44
-
Damage 3:310:00/3:31
-
Kryptonite 2:310:00/2:31
-
Rampage 2:590:00/2:59
-
To The Bone 4:020:00/4:02
-
Nightmare 2:370:00/2:37
-
Love's Alive 4:110:00/4:11
-
0:00/3:27
-
Hold Me 3:000:00/3:00
-
0:00/3:50
-
0:00/4:05
-
0:00/3:28
Hey, I'm Your Evil Boyfriend. Want to sound as good as your favorite artist? You've come to the right place.
CLIENTS INCLUDE
The purpose of mastering is to make your music sound balanced, cohesive, uniform, professional, and ready for commercial release. Mastering also ensures playback optimization across various speaker systems and media formats. You can literally ruin a great song with poorly done mastering. This is why sometimes it is better to leave things out to the professionals. Besides being a mixing and mastering engineer, I'm an artist that plays his music live. I can tell which tracks got professional masters vs DIY. The difference is massive. I'm here to prevent you from sounding amateur and take your music to next level and as be competitive as possible.
RATES (Albums and EPs are negotiable)
MASTER - (24-hour Turnaround) - $50
1 file per song
Unlimited revisions on the same file
STEM MASTER - (24-48 hour Turnaround) - $125
3-5 files per song
Unlimited revisions on the same file.
MIXING RATE - (48-72 hour Turnaround) - $150
*up to 50 files per song
3 Revisions
MIX AND MASTER RATE - (48-72 hour Turnaround) - $175
*up to 50 files per song
3 Revisions
START MASTERING (FREE TEST MASTER AVAILABLE)
CLIENT CHECKLIST
1 - All files must be in at least 44.1 kHz format, and at least 24 bit.
2 - All files must be either WAV or AIFF file format. no MP3s.
3 - All reference mixes must be “high quality” MP3s.
4 - All files must have at least -6db of headroom.
5 - Please remove all limiters or compressors from your master bus. (excluding reference masters)
6 - Have all individual tracks edited with clean fades, as we aren’t responsible for any cuts or pops within the master when the problem exists in the individual track.
7 - Leave some room at the beginning & end of the song to give us some room to work with fades.
8- Do not send session files, only WAV files.
9 - If this is a mix/master project, please send all stems dry unless you're doing reverb automations. Alternatively please print all reverb/delay buses to a separate track.
10 - When all the files are ready to be sent, please compress the files into 1 folder, and send them using WeTransfer.com to diego@yourevilboyfriend.com